Dr Yolanda Plumley

Publications

Books

(with Anne Stone) The Chantilly Codex ( Bibliothèque du Château de Chantilly, MS 564). I. Introductory study. II. Colour Photographic Reproduction (Turnhout: Brepols, 2008)

The Grammar of Fourteenth-Century Melody: Tonal Organization and Compositional Process in the Chansons of Guillaume de Machaut and the Ars Subtilior. Outstanding Dissertations from British Universities (New York and London: Garland, 1996), 350pp.

A Late Medieval Songbook and its Context: New Perspectives on Codex Bibliothéque du Château de Chantilly, 564 (Turnhout: Brepols, forthcoming in 2009)
[edited with Anne Stone; introduction, with essays by Thomas Brothers, Giuliano Di Bacco, Gilles Dulong, Mari-Carmen Gómez, Jehoash Hirshberg, Elizabeth Eva Leach, Virginia Newes, Yolanda Plumley and Anne Stone, Reinhard Strohm, Agathe Sultan, Dorit Tanay]

Citation, Intertextuality, and Memory in the Middle Ages and Renaissance: Image, Music, Text (Exeter: University of Exeter Press, forthcoming in 2010)
[edited with Giuliano Di Bacco and Stefano Jossa; introduction by Lina Bolzoni]

The Art of Grafted Song: Citation and Allusion in the Age of Machaut [forthcoming, 2010/11]

Extended Essays

‘An “Episode in the South”? Ars subtilior and the Patronage of French Princes’, Early Music History 22 (2003), pp. 103-68

‘Citation and Allusion in the Late Ars Nova: the Case of Esperance and the En attendant Songs’, Early Music History 18 (1999), pp. 287-363

Other Journal Articles

‘La composition par réélaboration chez Guillaume de Machaut: le cas de Dame, se vous n’avez aperceü (R13)’, Analyse musicale (2004), pp. 64-76

‘Buying Books, Narrating the Past: Owning a Medieval Music Manuscript in the Fifteenth and Nineteenth Centuries’ (co-authored with Anne Stone) in Journal of the Early Book Society 7 (2004), pp. 84-101

‘Crossing Borderlines: Points of Contact between the Late-Fourteenth Century Song and Lyric Repertories’, Acta Musicologica 76 (2004), pp. 201-21

‘Intertextuality in the Fourteenth-Century Chanson’, Music and Letters 84 (2003), pp. 355-77

‘Playing the Citation Game in the Late-Fourteenth Century’, Early Music 31 (2003), pp. 20-39
[reprinted in John L. Nádas and Michael S. Cuthbert, Ars Nova: French and Italian Music in the Fourteenth Century (Ashgate, 2009)]

'Musicians at Laon Cathedral in the early Fifteenth Century’, Urban History 29 (2002), pp.19-34

Essays and Book Chapters

'Whose Voice is it Anyway? Songs within Songs in the Age of Machaut', in K. Brownlee and E. Dillon, eds., Etymologies of Medieval Song (Turnhout: Brepols, forthcoming in 2010)

'Cordier's Songs Revisited: Connections between the Chantilly Codex and MS Oxford 213' (with Anne Stone, in Y. Plumley and A. Stone, eds., A Late Medieval Songbook and its Context: New Perspectives on Codex Bibliothéque du Château de Chantilly, 564, forthcoming in 2009/10)

'Citation, Allusion et Portrait du Prince: peinture, parole, et musique', in V. Fasseur, ed., Froissart à la cour de Béarn: l'écrivain, les arts et le pouvoir (Turnhout: Brepols, 2009)

‘Franco-Italian Politics and Cultural Exchange: Philipoctus de Caserta’s song Par le grant senz d’Adriane la sage and the Italian campaign of Louis, duc d’Anjou (1382)’, in Frances Andrews, Joanna Drell, and Katherine L. Jansen, eds., Medieval Italy: a Documentary History (University of Pennsylvania Press, 2009)

‘Crossing the Channel: French Lyrics in England in the early Fifteenth Century’ (co-authored with Margaret Connolly), in P. Ainsworth and G. Croenen, eds., Patrons, Authors and Workshops: Books and Book Production in Paris circa 1400 (Leuven: Peeters, 2006)

‘Ciconia’s Sus une fontayne and the Legacy of Philipoctus de Caserta’, in Philippe Vendrix, ed., Johannes Ciconia, musicien de la transition (Turnhout: Brepols, 2003), pp. 131-68

‘The Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut’s Sans cuer, dolens (Rondeau 4)’, in E. E. Leach, ed., Machaut's Music: New Interpretations (New York and London: Boydell and Brewer, 2003), pp. 231-48

In preparation:

'Lyric Poetry and Set Pieces', in J. Bain and D. McGrady, eds., A Companion to Guillaume de Machaut An Interdisciplinary Approach to the Master (Brill, forthcoming in 2010)

Dictionary Entries

Entries in The New Grove Dictionary of Music and Musicians (Macmillan, 2000-1) on: ‘Trebor’, ‘Solage’, ‘Jean Haucourt’, ‘Johannes de Janua’, ‘Egidius de Puisiex’

Entries in Die Musik in Geschichte und Gegenwart Personenteil, vols. 4-7 (Bärenreiter, 2000-3): ‘Jean Cesaris’, ‘Johannes Cuvelier’, ‘Jean Charité’, ‘F. Andrieu’, 'Jean Haucourt’, ‘Jaquet de Noyon’, 'Solage', 'Trebor', Suzoy

Reviews

'A More Subtle Arts?' Early Music 26 (1998), pp. 499-502

'Guillaume de Machaut, Seven Hundred Years On', Early Music 28 (2000), pp. 487-9